iD14 10in/4out Audio Interface – Audient

26,900.00 23,900.00

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iD14 Get Creative

10in/4out Audio Interface

iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides two Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and our virtual scroll wheel technology, ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time. 10-in/4-out high performance USB Audio Interface with 2 Class-A Audient Console Mic Preamps, 8-channel ADAT Input, JFET DI, Burr-Brown AD/DA Converters, Monitor Control Functionality and iD ScrollControl Mode.

How Does It Sound?


  • 10-in/4-out USB Audio Interface
  • 2 x Class-A Audient Console Mic Preamplifiers
  • High Performance Burr Brown AD/DA Converters
  • iD ScrollControl Mode
  • 1 x Discrete JFET Instrument Input
  • Main Speaker Output
  • Independent Class-AB Headphone Output
  • Full Monitor Control Functionality (software controlled)
  • ADAT Input for Expandability
  • Low Latency DSP Mixer
  • USB2.0 Bus Powered
  • 24bit/96khz
  • All-Metal Enclosure
  • Free plugins and software with ARC

Mic Pre Technology

We take an insight into why our microphone preamplifier design has become so popular amongst so many professionals and hobbyists alike.

What Does The Audient Mic Pre Provide?

Clean, punchy and musical character

Flexible topology – design optimised gain range between 0 – 70db gain

Low noise floor – 30,000 times quieter than the signal level

Wide bandwidth – preserving your transient detail

Transformer-less, RF immune input stage for detailed resolution

Audient Console Mic Pres

The professional sound you deserve

We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you’re in the studio with an Audient console or on the road with iD14, you’re always guaranteed the same world class Audient sound.

The Audient Mic Pre Guarantee

Over 20 years of design heritage at your fingertips

We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you’re in the studio with an Audient console or on the road with iD4, you’re always guaranteed the same renowned Audient sound.

How Does It Sound?

Find out why we’re the first choice for thousands of studios

Not only is the Audient mic pre renowned for being clean, punchy and musical, it is often regarded as one of the most versatile mic pres available. Its impressive dynamic range will meet your needs whether you’re recording a rock band, rapper or a classical orchestra which has made our design become the go to mic pre for thousands of professionals and home recordists alike. Hear it for yourself.

Evolution of the Audient Mic Pre

Quality begins with the first steps of design

Designed by David Dearden (of DDA & Advision Studios) back in 1997 the Audient mic pre is an all discrete high grade op amp design that delivers low noise, low distortion, and high common mode rejection at all gain levels… offering a faithful reproduction of the source with just enough colour to give the signal some character.

The Design Rationale

The quest for musical transparency

The microphone preamplifier has historically been the most difficult circuit block to design and also the block where designers have striven to express their individuality. David Dearden has always been on a quest for musical transparency and below he outlines his design.

David’s Design:


“A successful mic pre doesn’t just have to amplify a low level signal up to something which is more useable. It must also be protected against external attack such as static, phantom power and Radio Frequency Interference (RFI).

This is where component choice is vital, especially the low noise transistors and even passive elements such as resistors and RFI filters. Finding input transistors suitable for low impedance sources has always been a problem and after extensive evaluation we selected a unique transistor originally designed for Vinyl player preamps, which was perfect for the job!

Since then we have continued to innovate this key part of the Audient ‘sound’ and after much sonic evaluation, implemented a new transistor with similar characteristics in a surface mount (SMT) transistor package.”

“Although, surface mount components are not always the same as their traditional equivalents. Sometimes they are even better! We use a mixture of SMT & traditional parts based upon one critieria – which one offers the best performance for a given role.

However, resistors are not in some areas, especially when it comes to mic amp electronics which require low resistances and high currents to minimize noise. In certain critical areas of a high gain circuit, standard SMT parts were noticeably inferior, exhibiting more noise. In these cases there was little option but to remain with what was known to be good old fashioned metal film resistors with larger bodies.”

“The best choice of components and the most elegant of designs are easily ruined by careless PCB (printed circuit board) layouts. Neat doesn’t necessarily mean optimum.”

An understanding of the circuit operation and current paths is required for best results and I’ve spent over 20 years striving for continuous improvement in our circuit design and how our products sound. To this day my mic pre design is still being used all over the world – I must’ve done something right! Think like an electron!

Pristine Converter Technology

Brilliance on the inside enables brilliance on the outside

iD14 provides you with high performance AD-DA converters. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it’s supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Dynamic Range

Why Do Converters Matter?

The Specs

Mic Pre Gain

Dynamic Range (ADC)

Dynamic Range (DAC)

Dynamic Range

Mic Pre EIN

Sample Rate


Your journey starts here

Plug and Play

Simply plug in and be inspired

As well as offering you 2 channels of mic pre, iD14 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.


Replicates classic valve amp tones

Perfect for guitars, synths and bass


The virtual scroll wheel

Get hands on control of your software with iD14’s ScrollControl. With a touch of a button iD14’s volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14’s mixer app and even scroll through your iTunes library – just like you’re adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control!

See ScrollControl in action


Grows with your needs

Need to track drums? No problem! As your system grows, iD14 can be expanded via the optical input connector, supporting both ADAT or S/PDIF. Enabling you to expand up to ten inputs via an eight-channel mic pre, such as the ASP800.

Console Style Monitor Control

Customise your control surface

When not using the virtual scroll wheel, the iD button can be assigned to control iD14’s monitoring features. Following in the footsteps of it’s critically acclaimed big brother iD22, we’ve still included DIM, CUT, Polarity Reverse, Mono Sum, Talkback and Cue Mix monitoring, all of which can be assigned to the iD button.

Phase and Polarity Flip
Mono Summing
Talkback Control

Intuitive software

Software you can rely on

We understand the need to keep things simple and iD14’s mixer app was designed with that in mind. Whether you’re creating low latency cue mixes or utilising the flexible monitor control, iD14 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what’s really important – the music.

       Windows               MacOS


Communication is Key

iD14’s new dedicated talkback technology enables you to utilize any audio source connected to your computer such as a built in or USB microphone as your talkback mic, freeing up valuable mic pres while offering an effective talkback solution no matter where you are..

Use your computers built in mic for talkback

Built to last

Quality deserves protection

iD14 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD14 will stand up to countless late nights in the studio and days on the road.

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Additional information


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Tech Specs



(measurement includes ADC signal path)

MIC GAIN: 0 to 66 dB (inc. +10 dB software boost)
LINE GAIN: -10 to 56 dB (-10dB hardwired line pad)
PHANTOM POWER: 48V ±4V @ 10mA/Channel (12VDC only)*
MIC EIN: <-127.0 dBu
CMRR: >80 dB @ 1kHz
MAXIMUM INPUT LEVEL: +12 dBu (0 dBFS digital Maximum)
INPUT IMPEDANCE (Mic): 2.8 kΩ Balanced
INPUT IMPEDANCE (Line): >8kΩ Balanced
FREQUENCY RESPONSE: ±0.1 dB 20Hz to 22kHz @ min. gain
±1.0 dB 20Hz to 22kHz @ max. gain
THD+N @ 0dBu (1kHz): 0.0025% (-92 dBu)
SNR: 96 dB un-weighted, 99 dB A-weighted
XLR Combi Female Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
1/4″ TRS Jack Tip (Hot), Ring (Cold) & Sleeve (Shield)

D.I (Channel 1):

D.I GAIN: 0 to 66 dB (inc. +10 dB software boost)
MAXIMUM INPUT LEVEL: +9 dBu (0.6% THD typical)
INPUT IMPEDANCE: >500kΩ Unbalanced
FREQUENCY RESPONSE: ±0.1 dB 20Hz to 22kHz
THD+N @ 0dBu (1kHz): <0.04% all musical 2nd and 3rd harmonics
SNR: 95 dB un-weighted, 98 dB A-weighted
1/4” JACK: TIP (Hot) & SLEEVE (Shield)


(measured sans microphone preamplifier under AES-17)

MAXIMUM INPUT LEVEL: +12 dBu (0 dBFS digital maximum)
FREQUENCY RESPONSE: ±0.1 dB 10Hz to Fs/2 (flat to nyquist)
CROSSTALK: -100 dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz): <0.002% (-94 dB)
THD+N @ -6dBFS (1kHz): <0.0015% (-97 dB)
DYNAMIC RANGE: 113 dB un-weighted
116 dB A-weighted


(measured under AES-17 at line outputs 1&2)

MAXIMUM OUTPUT LEVEL: +12 dBu (0 dBFS digital maximum)
FREQUENCY RESPONSE: ±0.1 dB 10Hz to Fs/2 (flat to nyquist)
CROSSTALK: <-105 dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz): <0.003% (-90.5 dB)
DYNAMIC RANGE: 114 dB un-weighted
117 dB A-weighted
1/4″ TRS Jack Tip (Hot), Ring (Cold) & Sleeve (Shield)


(measured under AES-17 at phones output)

VOLTAGE GAIN: +6 dB (optimised for loudness)
FREQUENCY RESPONSE: ±1.0 dB 10Hz to Fs/2 (load dependant)
CROSSTALK: -100 dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz): <0.002% (-94 dB)
DYNAMIC RANGE: 108 dB un-weighted
111 dB A-weighted
MAX LEVEL INTO 30ohms: +4 dBu, 0.005% THD+N, Power: 101mW
MAX LEVEL INTO 60ohms: +5 dBu, 0.004% THD+N, Power: 64mW
MAX LEVEL INTO 600ohms: +13 dBu, 0.0025% THD+N, Power: 39mW
1/4” JACK: TIP (Left), RING (Right) & SLEEVE (Shield)


8-CHANNEL ADAT: 44.1kHz to 48kHz
4-CHANNEL ADAT: 88.2kHz to 96kHz SMUX
STEREO S/PDIF / TOSLINK 44.1kHz to 96kHz (Stereo)


BUS POWER: 500mA @5V System Limit
425mA @5V Maximum (No 48V)
(Phantom power only available on 12VDC)*
No. of INPUT CHANNELS: 10 (2 Analogue, 8 Digital)
No. of OUTPUT CHANNELS: 4 (4 Analogue)
44.1kHz 1.660ms
48.0kHz 1.531ms
88.2kHz 0.844ms
96.0kHz 0.771ms

DAW Roundtrip Software Monitoring Latency @ 32 Sample Buffer (in to out):

44.1 kHz 6.52ms
96.0 kHz 4.65ms



12VDC Centre Positive – 1.25A (required for full 48V Phantom Power)*


* iD14 requires a lot of power for class leading converters and class-A microphone preamplfiers. We could not beat the laws of physics so an external supply is required for 48V phantom power. Your microphones will thank you when they get enough voltage!

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iD14 Hardware Overview

Everything you need know about using iD14

Take a look at the hardware features of iD14 as well how to use the ‘iD’ software – featuring a detailed guide on how to install iD14’s software on your Mac or PC, how to setup the hardware features for your setup and more…

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