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The LiveTrak™ L-20 is the new digital console offering everything creators need to mix, monitor, and record complex productions. With 20 discrete audio channels and six individual custom monitor mixes, it’s built for bigger, bolder arrangements.
20 INPUTS FOR BIGGER SOUND
The LiveTrak L-20 is designed to mix bigger. It features 20 inputs
(16 mono mic/line inputs and two stereo inputs), all with independent
3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control.
22 TRACKS OF RECORDING
Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz.* At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later.
*Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz.
I could unload two racks worth of gear and it still wouldn’t add up to everything the L-20 can do. It’s easy. It’s intuitive. It expands my abilities as an engineer.”
What I love about the L-20 is the flexibility it gives you with 20 channels, preamp effects, six individual mixes and high-quality multi-mode recording. This little board is like the Swiss army knife of boards. 1000000000 hugs!”
All 20 inputs include a channel fader as well as dedicated mute and solo buttons. The 16 mono inputs include single-knob compression and gain control. Record or playback individual channels with the “Rec/Play” button.
EQ CONTROL
The L-20 provides a smooth 3-band mid-parametric EQ and a variable frequency low-cut for each channel. Use the “Select” button to apply Channel Strip settings to the selected channel.
2 EFX SENDS
The L-20 offers 20 built-in effects with adjustable parameters. Choose from delay and reverb effects, then apply them to any channel using two dedicated EFX busses.
BROAD CONNECTIVITY
The L-20’s combo inputs support XLR or ¼-inch connections. Channels 1-2 offer Hi-Z inputs for electric guitar or bass. Channels 17/18 and 19/20 have TS line connectivity for keyboards and other audio devices, as well as RCA inputs.
NAVIGATION AND DISPLAY
The LiveTrak L-20’s bright, backlit LCD screen and encoder knob let you access an intuitive menu to create new projects, recall previous projects, and customize your recorder settings.
SLATE MIC AND METRONOME
Use the built-in slate mic to record comments or talk-back. Push the tempo button to program the metronome to your desired tempo.
TRANSPORT CONTROLS AND OVERDUB BUTTON
Transport controls include Record, Play/Pause, Stop, Fast Forward, and Rewind. The overdub button allows you to record additional tracks to your current project.
SIX CUSTOM MONITOR MIXES
The “Fader Mode” buttons allow you to design custom mixes for both the master and monitor outs. For each output, easily switch between a powerful headphone output and a balanced line output for stage monitors.
HEADPHONE OUTPUT FOR FOH
The L-20 includes a dedicated headphone output for front-of-house, enabling them to monitor any of the custom sub mixes as well as the master mix.
CUSTOM SCENE SETTINGS
Create and save up to nine different scenes to recall fader position, EQ settings, pan, mute, and more.
L-20 FEATURES
20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity
Scene saving function, up to 9 scenes saved at a time
20 built-in chorus, delay and reverb effects with adjustable parameters
Two effect busses
Built-in slate mic
Class-compliant mode (for iOS compatibility)
Compatible with Remote Mixer app for iPad
Automatic recording starting/stopping capability
Pre-record function
Import/export projects with USB 2.0 host port
Compatible functions for ZOOM FS01 footswitch
Automatic power-save function
SPECS
NUMBER OF INPUT AND OUTPUT CHANNELS
INPUTS
Mono (MIC/LINE): 16 Stereo (LINE): 2
OUTPUT
MASTER OUT: 1 MONITOR OUT: 6 PHONES : 1
Inputs
MONO (MIC/LINE)
Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain : PAD OFF: +16 – +60dB| PAD ON: − 10 – +34 dB |Hi-Z ON: +6 – +50 dB Input impedance: XLR: 3 k Ω | TRS: 10 k Ω /1 M Ω (when Hi-Z ON) Maximum input level: PAD OFF: 0 dBu (at 0 dBFS) | PAD ON: +26 dBu (at 0 dBFS) |Phantom power +48 V
EFX 1 Hall 1, Hall 2, Room 1, Plate, Church , DrumAmb , GateRev, Vocal 1 , Vocal 2 , Vocal 3
EFX 2 Hall 3, Room 2, Spring Delay, Analog P-P Dly , Vocal 4, Chorus 1, Chorus 2
RECORDER
MAXIMUM SIMULTANEOUS RECORDING TRACKS
22 at 44.1/48/96 kHz
MAXIMUM SIMULTANEOUS PLAYBACK TRACKS
20
RECORDING FORMAT
WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo
RECORDING MEDIA
4GB–32GB SDHC cards (Class 10 or higher) , 64GB–512GB SDXC cards (Class 10 or higher)
AUDIO INTERFACE
44.1/48 KHZ
Recording: 22 channels | Playback: 4 channels
BIT DEPTH
24-bit
INTERFACE
USB 2.0
CARD READER
CLASS
Mass storage : USB 2.0 High Speed
SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE
WINDOWS
OS: Windows® 8.1 ~ 11 (32bit/64bit) | CPU: Intel® Core i3 or faster* | USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards.
MAC
OS: macOS® 10.14 ~ 12 | CPU: Intel® Core i3 or faster | USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards.
IPHONE/IPAD
OS： iOS 9 ~ 15 * Apple Lightning-to-USB Camera Adapter required.
