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Zoom LIVETRAK L-20 Live Track Mixer + Recorder + Interface

80,500.00

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Description

THE LIVETRAK L-20

MORE BOARD. MORE MUSIC.

The LiveTrak™ L-20 is the new digital console offering everything creators need to mix, monitor, and record complex productions. With 20 discrete audio channels and six individual custom monitor mixes, it’s built for bigger, bolder arrangements.

Livetrack L-20

20 INPUTS FOR BIGGER SOUND

The LiveTrak L-20 is designed to mix bigger. It features 20 inputs
(16 mono mic/line inputs and two stereo inputs), all with independent
3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control.
L-2o angled

22 TRACKS OF RECORDING

Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz.* At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later.

*Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz.

I could unload two racks worth of gear and it still wouldn’t add up to everything the L-20 can do. It’s easy. It’s intuitive. It expands my abilities as an engineer.”

JOE WOHLMUTHSOUND ENGINEER: SHAKIRA, JOSH GROBAN, CELINE DION, THIRTY SECONDS TO MARS
Joe Wohlmuth

CREATE SIX CUSTOM MONITOR MIXES

With six independent monitor outputs for musicians, each output can have its own custom mix, complete with effects, that can easily be switched from a powerful headphone output, to a balanced line output for stage monitors.
drummers

AND ONE FOR THE HOUSE

The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians’ satisfaction.

Engineer with L-20

What I love about the L-20 is the flexibility it gives you with 20 channels, preamp effects, six individual mixes and high-quality multi-mode recording. This little board is like the Swiss army knife of boards. 1000000000 hugs!”

CARLITOS DEL PUERTOBASSIST- CHICK COREA + STEVE GADD BAND, QUINCY JONES, BRUCE SPRINGSTEEN
Carlitos quote photo

BIG BEAUTIFUL INTERFACE

Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.*
band being recorded with L-20 and computer

*Apple Lightning to USB Camera Adapter required.

WIRELESS MIXING

The LiveTrak L-20 offers wireless control* via a free iOS mobile app featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls.
close up of iPad mixing

* Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units.
Compatible with all iPad Air models, iPad Mini 2 and later, iPad Pro, and iPad (2017), running iOS 10.3.3 or newer.

WHAT’S IN THE BOX

WHAT’S IN THE BOX

INCLUDED WITH THE L-20

  • LiveTrak L-20
  • AD-19 AC Adapter
  • USB 2.0 Cable
  • Quick Guide

OPTIONAL ACCESSORIES

  • RKL-12 Rack Mount Adapter
  • BTA-1 Bluetooth Adapter
  • FS-01 Momentary Footswitch
  • CBL-20 Carrying Bag
l-20 box

Additional information

Manufacturer

Specs & Details

L-20 Tour

L-20 FEATURES

  • 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity
  • 22-track simultaneous recording, 20-track playback
  • 22-in/4-out USB audio interface connectivity
  • Records up to 24bit/96kHz audio to SD card
  • 48V phantom power
  • Hi-Z connectivity (channels 1-2)
  • 26dB pad (channels 3-16)
  • Built-in compression control (Channels 1-16)
  • Solo buttons for individual channels
  • Variable frequency low-cut control
  • Main outputs plus 6 customizable monitor outputs
  • Dedicated headphone output for sound engineer
  • Scene saving function, up to 9 scenes saved at a time
  • 20 built-in chorus, delay and reverb effects with adjustable parameters
  • Two effect busses
  • Built-in slate mic
  • Class-compliant mode (for iOS compatibility)
  • Compatible with Remote Mixer app for iPad
  • Automatic recording starting/stopping capability
  • Pre-record function
  • Import/export projects with USB 2.0 host port
  • Compatible functions for ZOOM FS01 footswitch
  • Automatic power-save function

SPECS

NUMBER OF INPUT AND OUTPUT CHANNELS

INPUTS Mono (MIC/LINE): 16 Stereo (LINE): 2
OUTPUT MASTER OUT: 1 MONITOR OUT: 6 PHONES : 1

Inputs

MONO (MIC/LINE) Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain : PAD OFF: +16 – +60dB| PAD ON: − 10 – +34 dB |Hi-Z ON: +6 – +50 dB Input impedance: XLR: 3 k Ω | TRS: 10 k Ω /1 M Ω (when Hi-Z ON) Maximum input level: PAD OFF: 0 dBu (at 0 dBFS) | PAD ON: +26 dBu (at 0 dBFS) |Phantom power +48 V
STEREO (LINE) Type: TS phone/RCA pin (unbalanced) jacks | Maximum input level : +10 dBu

OUTPUTS

MASTER OUT Type: XLR jacks (balanced) | Maximum output level :+14.5 dBu | Output impedance: 100 Ω
MONITOR OUT A–F (WITH BALANCED OUTPUT) CONNECTED TO MONITOR SPEAKERS Type: TRS phone jacks (balanced) | Maximum output level: +14.5 dBu | Output impedance: 100 Ω
MONITOR OUT A– F (WITH UNBALANCED OUTPUT) CONNECTED TO HEADPHONES Type: Standard stereo phone jacks |Maximum output level: 42 mW + 42 mW at 60 Ω |Output impedance: 100 Ω
PHONES Type: Standard stereo phone jacks|Maximum output level: 42 mW + 42 mW at 60 Ω |Output impedance: 100 Ω

BUSES

MASTER 1
MONITOR 6
SEND EFX 2

CHANNEL STRIP

COMP
LOW CUT 40–600 Hz, 12dB/OCT
EQ HIGH: 10 kHz, ± 15 dB, shelving | MID: 100 Hz – 8 kHz, ± 15 dB, peaking | LOW: 100 Hz, ± 15 dB, shelving

LEVEL METERS

LEVEL SEGMENTS 12

SEND EFFECTS

EFFECTS | 20 TYPES EFX 1 Hall 1, Hall 2, Room 1, Plate, Church , DrumAmb , GateRev, Vocal 1 , Vocal 2 , Vocal 3
EFX 2 Hall 3, Room 2, Spring Delay, Analog P-P Dly , Vocal 4, Chorus 1, Chorus 2

RECORDER

MAXIMUM SIMULTANEOUS RECORDING TRACKS 22 at 44.1/48/96 kHz
MAXIMUM SIMULTANEOUS PLAYBACK TRACKS 20
RECORDING FORMAT WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo
RECORDING MEDIA 4GB–32GB SDHC cards (Class 10 or higher) , 64GB–512GB SDXC cards (Class 10 or higher)

AUDIO INTERFACE

44.1/48 KHZ Recording: 22 channels | Playback: 4 channels
BIT DEPTH 24-bit
INTERFACE USB 2.0

CARD READER

CLASS Mass storage : USB 2.0 High Speed

SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE

WINDOWS OS: Windows® 8.1 ~ 11 (32bit/64bit) | CPU: Intel® Core i3 or faster* | USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards.
MAC OS: macOS® 10.14 ~ 12 | CPU: Intel® Core i3 or faster | USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards.
IPHONE/IPAD OS: iOS 9 ~ 15 * Apple Lightning-to-USB Camera Adapter required.

USB HOST

CLASS USB 2.0 High Speed

Additional Specs

SAMPLING FREQUENCY 44.1/48/96 kHz
FREQUENCY CHARACTERISTICS 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz | 96 kHz: −3.0 dB, 20 Hz – 40 kHz
EQUIVALENT INPUT NOISE Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input
DISPLAY LCD with backlight (128×64 resolution)
POWER AD-19 AC adapter (DC12V 2A)
POWER CONSUMPTION 24 W maximum
EXTERNAL DIMENSIONS 445 mm (W) × 388.4 mm (D) × 82.6 mm (H)
WEIGHT (MAIN UNIT ONLY) 3.71 kg

Media & Tutorial